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Gasparo Cairano : ウィキペディア英語版 | Gasparo Cairano
Gasparo Cairano, also known as Gasparo da Cairano, de Cayrano, da Milano, Coirano,〔This variant is not present in historical sources and was introduced in 1963 by Adriano Peroni (see Peroni, pp. 619-887), and accepted as canonical by later researchers (see Zani 2010, p.102, note 85)〕 and other variations (born Milan or Pieve del Cairo or Cairate,〔See note in Boselli, p. 289, regarding a Brescian document of March 1531, where a mention is made of Gasparo's firstborn as ''Simone q. Gasparis de Chayrate de Mediolano''〕 before 1489〔Since the first document attesting the existence of the artist is the payment for a work in 1489, the date of birth may be traced back at least two decades before.〕 - Brescia, died before 1517),〔Declared dead in this year by his widow Bianca (see Zani 2010, p. 102, note 85)〕 was an Italian sculptor of the Renaissance. The artist emerged in 1489 as part of the cultural world of Milan, beginning a successful career that turned him into a leading exponent of Renaissance sculpture in Brescia, distinguishing himself with works of cultural import such as his cycle of the Caesars for the Loggia palace in Brescia, as well as the Martinengo mausoleum. He introduced a powerful and highly expressive classical taste, as opposed to the hitherto existing refined decorativeness. During the first decade of the sixteenth century, Gasparo was able to win over public and private clients who sought to translate into stone their pride in their supposed historical descent from ancient Rome. After his death, Gasparo's reputation fell into oblivion caused by unfavourable secular criticism. His complex artistic personality and catalog of works were only reconstructed from the end of the twentieth century, thanks to targeted critical studies that have for the first time allowed a thorough analysis and rediscovery of his works. ==Biography==
Nothing is known of Gasparo Cairano before 1489. No information has been found about the date and place of his birth, education, or the circumstances that led him to Brescia. The appellation ''da Milano'', with which he is often recalled in the sources, however, does not provide a definitive fact of his origin because it could refer to the city as well as to the dukedom or diocese. The generic reference, in any case, is compatible with the cultural basis of his artistic work. Some conjectures can be made on the surname ''Cairano'', in particular that it leads one to Cairate in Varese province, which is to this day shortened to ''Caira'' in the local dialect.〔Historical sources provide other variations of the last name of Gasparo. See Zani 2010, p. 102, n. 85 and notes in the preamble to this article.〕
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